Kit includes: 1x UV(c), 1x Circular PL, 1x ND8 and 1x pouch filter
Kit includes: 1x UV(c), 1x Circular PL, 1x ND8 and 1x pouch filter
Kit includes: 1x UV(c), 1x Circular PL, 1x ND8 and 1x pouch filter
Kit includes: 1x UV(c), 1x Circular PL, 1x ND8 and 1x pouch filter
Kit includes: 1x UV(c), 1x Circular PL, 1x ND8 and 1x pouch filter
Matériel d'occasion Etat esthétique: Très bon Fourni avec: 1x boîte
Fits Three Filters Up to 2mm ThickCompression Ring for AttachmentDurable Aluminum ConstructionIncludes 95mm & 95-77mm Step-Down Rings
This UV Filter blocks the invisible UV component of light from the sky, which can cause blur and to which many color films react with a blue cast. These filters should be called UV-Blocking Filters, because there are filters for technical applications that pass UV radiation and block all the other wavelengths. Nevertheless, the short term “UV Filter” has
SHD CPL-HD ULCA WMC / SLIM: Filtres de polarisation - Le verre HD poli à plat provoque moins de lumière parasite et donc une très faible perte de résolution- Verre ultra-mince Schott B270 à monture mince pour éviter le vignettage- Le revêtement ULCA à 16 couches réduit la probabilité d'évasement et d'aberration chromatique (transmission = 99% à 420-680nm).-
Video • NEW Antistatic coating repels dust • Ultra-smooth filter rotation • Scratch resistant - Hardened coating protects against everyday wear • Stain resistant - Protects against exposure to ink, markers etc. • Water repellent – Water beads up and wipes away easily • Fingerprints and smudges wipe away cleanly • Hoya’s Professional-grade optical glass •
EE Filters colourMAGIC – Saturates PackSheet Sizes – 0.3m x 0.25m (12? x 10?) Filter Numbers Included: 181 / 126 / 120 / 116 / 139 / 101 / 105 / 135 / 182 / 027 / 332 / 129 A selection of strong and vibrant colours for more intense colour combinations. 1 x sheet of each colour.
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
16x Filter Factor, 4 StopDarkens Entire ImageAllows Reduced Shutter SpeedAllows Wider ApertureNeutral Results, Visible, & IR SpectrumsACCU-ND Vapor Deposition CoatingsOptical Glass Construction95mm Front Filter ThreadsPadded Pouch
The B&W XS-Pro 803 ND Filter is designed by keeping landscape photography in mind. It allows you decrease the shutter speed and widen the aperture to get the appropriate depth of field in the image. This natural density filter can be used with mirrorless cameras and DSLRs. The filter has a 0.9 density that lowers the exposure by 3 stops. This filter has
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
The PROND100000 has a 16 3/5-stops light reduction equal to a ND density of 5.0 and 0.001% transmission factor. The ACCU-ND technology in the HOYA PROND filters yields a truly neutral color balance that will not add any noticeable color-cast to your images. A neutral density filter of Pro ND100000 becomes additionally in this series. HOYA PROND 100000 is a
The PROND100000 has a 16 3/5-stops light reduction equal to a ND density of 5.0 and 0.001% transmission factor. The ACCU-ND technology in the HOYA PROND filters yields a truly neutral color balance that will not add any noticeable color-cast to your images. A neutral density filter of Pro ND100000 becomes additionally in this series. HOYA PROND 100000 is a
The PROND100000 has a 16 3/5-stops light reduction equal to a ND density of 5.0 and 0.001% transmission factor. The ACCU-ND technology in the HOYA PROND filters yields a truly neutral color balance that will not add any noticeable color-cast to your images. A neutral density filter of Pro ND100000 becomes additionally in this series. HOYA PROND 100000 is a
The PROND100000 has a 16 3/5-stops light reduction equal to a ND density of 5.0 and 0.001% transmission factor. The ACCU-ND technology in the HOYA PROND filters yields a truly neutral color balance that will not add any noticeable color-cast to your images. A neutral density filter of Pro ND100000 becomes additionally in this series. HOYA PROND 100000 is a
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
Made for the discerning photographer from the purest quality optical glassFor digital, video and photoOffers ultimate protection for your camera lensProtects lens against dirt, grime, fingerprints and damageMay be kept on your lens at all timesMay be combined with other filters and still provide the highest quality image with maximum detail capture
Video • NEW Antistatic coating repels dust • Ultra Clear High Transmission • Scratch resistant - Hardened coating protects against everyday wear • Stain resistant - Protects against exposure to ink, markers etc. • Water repellent – Water beads up and wipes away easily • Fingerprints and smudges wipe away cleanly • Hoya’s Professional-grade optical glass •
Sigma's WR RCP-11 circular polarizing filter filter is compatible with Sigma's 500mm f / 4 DG OS HSM Sports lenses. The filter holder fits into the rear slot of the telephoto lens and locks into place. By using the circular polarizing filter RCP-11, you can increase your exposure from 2 to 4x.
EE Filters colourMAGIC – Saturates PackSheet Sizes – 0.3m x 0.25m (12? x 10?) Filter Numbers Included: 101 / 116 / 118 / 122 / 126 / 128 / 144 / 179 / 180 / 192 / 129 / 228 1 x sheet of each colour.
EE Filters colourMAGIC – Tints PackSheet Sizes – 0.3m x 0.25m Filter Numbers Included: 002 / 048 / 088 / 100 / 108 / 131 / 157 / 164 / 174 / 228 / 250 / 334 1 x sheet of each colour.
EE Filters colourMAGIC – Complementary PackSheet Sizes – 0.3m x 0.25m Filter Numbers Included: 164 / 124 / 119 / 176 / 174 / 138 / 101 / 115 / 128 / 007 / 117 / 035 1 x sheet of each colour.
LEE Filters Quick Location PackSheet Sizes – 0.3m x 0.25m Filter Numbers Included: 201 / 202 / 204 / 205 / 216 / 250 / 210 2 x sheet of each colour. Filter Numbers Included: 106 / 181 / 738 / 187 / 188 / 791 / 775 / 720 / 270 / 280 1 x sheet of each colour.
LEE Filters Lighting Master Location PackSheet Sizes – 0.3m x 0.25m Filter Numbers Included: 200 / 201 / 202 / 203 / 204 / 205 / 206 / 216 / 250 / 251 / 210 2 x sheet of each colour. Filter Numbers Included: 106 / 126 / 181 / 738 / 187 / 188 / 791 / 775 / 720 / 244 / 245 / 219 / 270 / 280 1 x sheet of each colour.
Kenko Astro LPR Type II filter is designed for photographing of astronomical observation of celestial bodies, stars and constellations.Kenko Astro LPR Type II cuts off light pollution from artificial lighting of city streets (mercury and sodium gas charging lamps), and transmits only the light spectrum of stellar objects.The filter does not affect the color
Kenko Astro LPR Type I is designed mostly for visual astronomical observation of celestial bodies, stars and constellations.This filter transmits only light spectrum that comes from celestial bodies, and cuts other light, thus enhancing contrast and clearness of the image. This filter is also modified to transmit the light that comes from two tails of the
The UV filter F-Pro 010 Haze MRC is made of ultra-transparent Schott optical glass that passes 99.8% of the received light therefore it does not affect the quality of the image while protecting your lens from dust, scratches, moisture and other elements that could damage your lens.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.
The HOYA UV&IR Cut is a specialized filter that has the ability to cut both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filter and into the camera. Filter is available in sizes 49mm through 82mm.