Shogunstudio
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Shogun Studio enhances existing HD workflows and provides an affordable rack
mount solution for creating 4K Masters.
RECORD 4K, HD AND RAW IN 4:2:2 10-BIT EDIT
READY CODECS
The dual channel recorders capture ISO feeds directly
from the sensor (4K UHD, 4K DCI Raw, 1080p60)
to visually lossless, ready-to-edit 4:2:2 10-bit Apple
ProRes or AVID DNxHR with file naming and metadata.
CONTINUOUS RECORD, MULTI CODEC RECORD,
MULTI RESOLUTION RECORD
Record continuously with the ability to automatically
switch channels when the SSD drive is full as well
as dual record capability allowing 2 versions of the
same input for parity or to suit your workflow. Perfect
for recording 4K Masters with HD deliverables or Full
Resolution RAW to ProRes/DNxHR with lightweight
proxies or dailies.
DUAL 7” MONITORS WITH SCOPES FOR IMAGE
ANALYSIS & QC
Full playback controls allow collaboration on set to
review content the moment it’s captured, using the full
suite of monitor tools on screen or out to a larger HDMI
or SDI monitor. There is even 4K to HD downscaling to
connect with existing HD infrastructure.
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Atomos Shogun studio
Shogun Studio enhances existing HD workflows and provides an affordable rack
mount solution for creating 4K Masters.
RECORD 4K, HD AND RAW IN 4:2:2 10-BIT EDIT
READY CODECS
The dual channel recorders capture ISO feeds directly
from the sensor (4K UHD, 4K DCI Raw, 1080p60)
to visually lossless, ready-to-edit 4:2:2 10-bit Apple
ProRes or AVID DNxHR with file naming and metadata.
CONTINUOUS RECORD, MULTI CODEC RECORD,
MULTI RESOLUTION RECORD
Record continuously with the ability to automatically
switch channels when the SSD drive is full as well
as dual record capability allowing 2 versions of the
same input for parity or to suit your workflow. Perfect
for recording 4K Masters with HD deliverables or Full
Resolution RAW to ProRes/DNxHR with lightweight
proxies or dailies.
DUAL 7” MONITORS WITH SCOPES FOR IMAGE
ANALYSIS & QC
Full playback controls allow collaboration on set to
review content the moment it’s captured, using the full
suite of monitor tools on screen or out to a larger HDMI
or SDI monitor. There is even 4K to HD downscaling to
connect with existing HD infrastructure.
Recipient :
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CONTROL PR
OTOCOLS TO SUIT YOUR OPERATION
Offering the lightning fast touch screen interface of the
AtomOS for in rack control, remote control via AMP over
ethernet and 9-pin RS422 Machine control protocols for
both recording and playback. You can also cascade
trigger controls to enable multiple recorders to start
recording from a single input.
METADATA TAGGING AT POINT OF ACQUISITION
Save time in post by tagging your captured content
the moment you review on set. Mark using 10 tags
including Favorite/Reject in record or playback mode
& even mark the i/o points for the tags. Create custom
playlist of favorites which respects subclip
I/O
points,
selected clips or all clips with either a rundown or
reverse order playback. Then save them out as an XML
to the drive and drop straight onto the timeline of your
choice of NLE.
MASTER YOUR RACK
Physically the Shogun Studio has been designed for
easy integration into existing facilities. The 3RU height
snugly fits the dual 7” screens, the short rack depth
makes it easy for use in monitor bridges or smaller OB
vehicles and the touchscreen interface makes it easy to
use for any operator with most of the functionality one
touch away.
VIDEO, AUDIO AND SYNCHRONISATION I/O
The rear of the Shogun Studio provides grouped
connectivity for each of the recorder channels with
12/6/3/1.5G SDI, HDMI with 4K deep color support and
balanced XLR audio. There is also Genlock, LTC input
and loop through plus control connectivity using 9 pin
D-SUB RS422 or AMP over Ethernet. Outside of the I/O,
Shogun Studio has scaling and conversion capability
built in to save on rack space and troublesome wall
wart PSU’s. Bi-directional SDI & HDMi signal converters
allow HDMI DSLRs to be input and routed to SDI mixers,
screens or multi viewers. The HDMI and SDI output
also has the option for downscaling for connection with
HD infrastructure. The redundant dual power supply
balances the power load and are lined to the user
interface to provide a necessary warning if a PSU fails.
CONTROL
Each of the Shogun Studio channels can be operated
via the independent touch screens to adjust record,
monitor, playback and edit functions. The Shogun
Studio can also be controlled via RS422 Machine
control or via AMP over Ethernet.
ADVANCED RECORD MODES
Both channels record camera ISO feeds directly
from the sensor (4K UHD, 4K DCI Raw, 1080p60) to
increased quality 4:2:2 10-bit edit friendly ProRes or
DNxHR with file naming and metadata. Outside of
recording to these advanced codecs, Shogun Studio
offers numerous advanced record modes not previously
available in other rack mount DDRs.
i) Continuous Record – combines the dual recording
channels into a single record channel that will
automatically switch over when the disk is full. Allows
for drives to be replaced without any down time in
recording, perfect for long form sports or live event
recording.
ii) Dual Record – creates a dynamic link between both
recorders allowing for simultaneous recording in a
Master and Slave setup. This function provides the
ability to create Dual Codec recording for online and
offline workflows as well as Dual resolution recording
for 4K Masters and HD deliverables or the creation of
dailies with burnt in LUTs.
iii) Pre Roll - continually cache record 8 seconds in
HD or 2-3 seconds in 4K to make sure you never miss
the action.
iv) Time Lapse – define your own capture sequences
with flexibility over time lapse settings including up to
10 sequences, scheduled start time and motion blur –
perfect for creating behind the scenes content for live
or sports events.
IMAGE ANALYSIS & QC
The 7” Monitors provide accurate REC.709 viewing of
content as well as a host of tools for image analysis.
Wave Form Monitors – offer Luma Parade, RGD parade,
Vector Scope with Vector zoom.
1:1 and 2:1 zoom
– allow for operators to punch in to
check shots for focus, exposure and which is perfect
when used in combination with a remote camera control
unit.
Focus peaking, zebra and false color
– allow
for further image QC checks to be remotely monitored
in conjunction with control via a separate camera
control unit.
LUTs
– use LOG outputs from the camera
to increase the dynamic range and bring increased
definition in highlights and shadows in post production.
Audio monitoring
– providing VU meters for up to 12
channels of embedded audio with the ability to monitor
individual tracks and select which tracks to record.
METADATA TAGGING, CUT EDITS & EDL XML
Make editing decisions on the fly and in review with a
choice of 10 tags. You can start to mark clips while you
record and then review, cut and tag in playback mode.
Assemble clips to create a play list of your favorite clips
and instantly push these out to live screens, director’s
viewing monitors, galleries etc. Marked in and out points
are carried right through to post production with the
export of edit decisions as XML that can be imported
with clips in to Apple, Avid or Adobe NLEs. Scene, shot
and take naming criteria allow for storage management
systems to identify clips and start to orchestrate projects
or even create pre populated bins.
PLAYBACK & PLAYLIST
Complementing the recording and monitoring capability
is the ability to play out 4K and HD content in the same
visually lossless quality as the input. Playlists can
be created from clips either recorded on an Atomos
recorder or from your edit system in a supported codec,
resolution and frame rate. Grouped clips can be played
in either a run down or reverse order without the need
for a seperate playout server. Mark in and out points to
create sub clips, loop the playlist or in single clips mark
in and out points for looped play back
MASTER YOUR RACK
Physically the Shogun Studio has been designed for
easy integration into existing facilities. The 3RU height
snugly fits the dual 7” screens, the short rack depth
makes it easy for use in monitor bridges or smaller OB
vehicles and the touchscreen interface makes it easy to
use for any operator with most of the functionality one
touch away.
VIDEO, AUDIO AND SYNCHRONISATION I/O
The rear of the Shogun Studio provides grouped
connectivity for each of the recorder channels with
12/6/3/1.5G SDI, HDMI with 4K deep color support and
balanced XLR audio. There is also Genlock, LTC input
and loop through plus control connectivity using 9 pin
D-SUB RS422 or AMP over Ethernet. Outside of the I/O,
Shogun Studio has scaling and conversion capability
built in to save on rack space and troublesome wall
wart PSU’s. Bi-directional SDI & HDMi signal converters
allow HDMI DSLRs to be input and routed to SDI mixers,
screens or multi viewers. The HDMI and SDI output
also has the option for downscaling for connection with
HD infrastructure. The redundant dual power supply
balances the power load and are lined to the user
interface to provide a necessary warning if a PSU fails.
CONTROL
Each of the Shogun Studio channels can be operated
via the independent touch screens to adjust record,
monitor, playback and edit functions. The Shogun
Studio can also be controlled via RS422 Machine
control or via AMP over Ethernet.
ADVANCED RECORD MODES
Both channels record camera ISO feeds directly
from the sensor (4K UHD, 4K DCI Raw, 1080p60) to
increased quality 4:2:2 10-bit edit friendly ProRes or
DNxHR with file naming and metadata. Outside of
recording to these advanced codecs, Shogun Studio
offers numerous advanced record modes not previously
available in other rack mount DDRs.
i) Continuous Record – combines the dual recording
channels into a single record channel that will
automatically switch over when the disk is full. Allows
for drives to be replaced without any down time in
recording, perfect for long form sports or live event
recording.
ii) Dual Record – creates a dynamic link between both
recorders allowing for simultaneous recording in a
Master and Slave setup. This function provides the
ability to create Dual Codec recording for online and
offline workflows as well as Dual resolution recording
for 4K Masters and HD deliverables or the creation of
dailies with burnt in LUTs.
iii) Pre Roll - continually cache record 8 seconds in
HD or 2-3 seconds in 4K to make sure you never miss
the action.
iv) Time Lapse – define your own capture sequences
with flexibility over time lapse settings including up to
10 sequences, scheduled start time and motion blur –
perfect for creating behind the scenes content for live
or sports events.
IMAGE ANALYSIS & QC
The 7” Monitors provide accurate REC.709 viewing of
content as well as a host of tools for image analysis.
Wave Form Monitors – offer Luma Parade, RGD parade,
Vector Scope with Vector zoom.
1:1 and 2:1 zoom
– allow for operators to punch in to
check shots for focus, exposure and which is perfect
when used in combination with a remote camera control
unit.
Focus peaking, zebra and false color
– allow
for further image QC checks to be remotely monitored
in conjunction with control via a separate camera
control unit.
LUTs
– use LOG outputs from the camera
to increase the dynamic range and bring increased
definition in highlights and shadows in post production.
Audio monitoring
– providing VU meters for up to 12
channels of embedded audio with the ability to monitor
individual tracks and select which tracks to record.
METADATA TAGGING, CUT EDITS & EDL XML
Make editing decisions on the fly and in review with a
choice of 10 tags. You can start to mark clips while you
record and then review, cut and tag in playback mode.
Assemble clips to create a play list of your favorite clips
and instantly push these out to live screens, director’s
viewing monitors, galleries etc. Marked in and out points
are carried right through to post production with the
export of edit decisions as XML that can be imported
with clips in to Apple, Avid or Adobe NLEs. Scene, shot
and take naming criteria allow for storage management
systems to identify clips and start to orchestrate projects
or even create pre populated bins.
PLAYBACK & PLAYLIST
Complementing the recording and monitoring capability
is the ability to play out 4K and HD content in the same
visually lossless quality as the input. Playlists can
be created from clips either recorded on an Atomos
recorder or from your edit system in a supported codec,
resolution and frame rate. Grouped clips can be played
in either a run down or reverse order without the need
for a seperate playout server. Mark in and out points to
create sub clips, loop the playlist or in single clips mark
in and out points for looped play back.
PRO AV
With playlist functionality & control via RS422, Ethernet
or on screen, the Shogun Studio is an affordable 4K
& HD play out engine for video walls, signage and
projection. Additionally, with dual channel play out
capability over HDMI or 1.5/3/6/12G SDI, Genlock and
4K to HD down scaling the Shogun Studio can be used
to provide synchronized 4K, 2K and HD simultaneous
play out to high resolution projector or signage
systems.
MOBILE PRODUCTION
With rack space at a premium and resolution on the
rise, Mobile Production professionals will welcome the
ability to record, monitor, test, measure, convert and
play out from a single 3RU device. Dual codec, dual
resolution recording maximises the flexibility in mobile
situations. Combine the ability to record 4K resolution
ISO feeds with a hardware down converted HD proxy
version, record ProRes on one channel and DNxHR
on the other or even playback and convert from one
codec/resolution combination to another. Connecting
to infrastructure is simple as well with built-in HDMI and
SDI conversion that is bi-directional. Shogun Studio is
ready for the 4K future, but 4K acquisition doesn’t have
to mean 4K delivery – when 4K can be achieved on a
HD budget and you have the capability to downscale
or record codec to suit you have the perfect product
now and for the future in the tight space of Mobile
production.
EVENT
Shogun Studio solves many of the problems faced
by multi camera events with long run times. Our
Master Caddy delivers affordable & reliable media
while features like time lapse, pre-roll cache & 4K/HD
simultaneous recording make this the perfect choice
for Event professionals. Our open approach with
media means you record up to 2.5 hours of 4K 30p or
5 hours of 1080p60 onto a single 1TB SSD, keeping
media costs low. You can also link the two channels to
utilize continuous r
ecording. The Shogun Studio has
the ability to then monitor the input, view waveforms/
scopes, setup complex time lapses and simultaneously
record a proxy - under pinned with the safe guard of
pr
e-roll cache recording (8 sec for HD / 2 sec for 4K) to
ensure you never miss the action. You can even record
presentations from PC, MAC and Mobile devices.
SECURITY
In security applications a wide angle lens on a 4K
camera can mean a single camera replaces the
equivalent of 4 x HD cameras. The Shogun Studio,
with its long record time, time lapse and monitor zoom
capability makes it the perfect weapon for 4K security
applications. In ProRes LT at 25 FPS the Shogun
Studio can record 6 hours of Ultra High Definition 4K
per channel, this not only provides superior resolution
but also an increase in the number of frames captured
per second providing a more finite approach to high
resolution security recording. In applications where
the additional frames aren’t important, the timelapse
functionality can be set up to record specific frames
at specific points over a specified duration. All of this
can be reviewed on the dual 7.1” Full HD monitors and
easily zoomed in for closer inspection of areas
of interest.
Weight & Dimensions | |
---|---|
Weight | 5.0kg / 11lb |
Rack height | 3Ru |
Rack mounting | Removable rack ears |
Dimensions (W x H x D mm) | 447 x 131 x 230mm, 17.6 x 5.2 x 9.1” (without rack ears) 490 x 131 x 230mm, 19.3 x 5.2 x 9.1” (with rack ears) |
Construction | Steel construction for durablility |
Cooling | Actively controlled fan with heat sinks |
Power | |
---|---|
Operating power | 20 - 60W |
Redundant PSU | Yes |
Compatible batteries | No |
Input voltage (battery) | - |
DC Out | No |
Continuous power * Patent pending | - |
Touchscreen | |
---|---|
Size | 7.1" |
Resolution | 1920 x 1200 |
PPI | 320 |
Aspect ratio | 16:9 native |
Color standard | Rec.709 HDTV |
Look up table (LUT) support | 3D LUT (.cube file format) |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional Atomos Spyder |
Video analysis tools | Luma waveform, RGB parade, Vectorscope, Vectorscope zoom |
Calibration | Calibration in factory to Rec.709, in field calibration with optional Spyder |
Video input/loop out | |
---|---|
HDMI | 1 x HDMI (1.4b) per channel |
SDI | 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video output (play out) | |
---|---|
HDMI | 1 x HDMI (1.4b) per channel |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported formats (Record & Playback) | ||
---|---|---|
4K - DCI RAW 4096x2160 to Supported cameras; Sony FS700, FS7 Canon C300MKII, C500 | Apple ProRes HQ, 422, LT | DNxHR HQX, HQ, SQ, LB |
4K-UHD 3840x2160 8/10-bit 4:2:2 to | Apple ProRes HQ, 422, LT | DNxHR HQX, HQ, SQ, LB |
1920x1080 8/10-bit 4:2:2 to | Apple ProRes HQ, 422, LT | DNxHD 220x, 220, 145, 36 |
1280x720 8/10-bit 4:2:2 to | Apple ProRes HQ, 422, LT | DNxHD 220x, 220, 145, 36 |
Onboard Processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
HDMI < > SDI conversion | Yes - Always on |
4K - UHD to HD downscale | On HDMI/SDI loop out (Rec & Playout) |
Audio in/out (48kHz PCM audio) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Analogue audio | 2 x XLR in & 2 x XLR out on rear per record channel. Mic or line level with phantom 48V |
Processing | Gain control on line in & headphone output |
Maximum audio quality | 24-bit, 48kHz |
Audio delay | Delay setting +1 to 99 frames |
Remote control | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
RS422 | RS422 machine control |
AMP | via Ethernet RJ45 10/100 |
Serial | Calibration (front) |
Timecode | |
---|---|
HDMI | Embedded timecode from camera or video device |
SDI | Embedded timecode from camera or video device |
LTC In | Yes (LTC loop back) |
GenLock In | Yes (GenLock loop back) |
Playback | |
---|---|
Playlist | Yes (run down or reverse order) for selected, favorite or all clips |
Playback options | Loop in & out markers |
Recording | |
---|---|
Dual channel | Record 4K master with HD proxies. Record both ProRes & DNxHR versions, independent dual channel record. |
Continuous record | Single channel 4K / HD recording automatically switches between drive when at capacity |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock). |
Meta data tagging | Yes (10 tags available) |
Recording media | |
---|---|
Drive slots | 2 (1 per record channel) |
Drive connection types | SATA |
Supported media (Approved List Only) | 4K / HD (50/60/120p*) CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60) HD CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30) |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+, EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCP7 supported with conversion (Adobe compatible) |
Accessories included | Shogun Studio unit, 2x Rack ears with screws, 5x Master Caddy II, 4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth |
Optional extras | Master Caddy II x 5, Spyder calibration |
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