Samyang V-DSLR 14mm T3.1 ED AS IF UMC Samyang V-DSLR 35mm T1.5 AS AS UMC Samyang V-DSLR 85mm T1.5 AS IF UMC Samyang S Case
Samyang V-DSLR 14mm T3.1 ED AS IF UMC Samyang V-DSLR 35mm T1.5 AS AS UMC Samyang V-DSLR 85mm T1.5 AS IF UMC Samyang S Case
Samyang V-DSLR 8mm T3.8 UMC Fish-eye CS II Samyang V-DSLR 16mm T2.2 AS UMC Samyang V-DSLR 35mm T1.5 AS UMC Samyang S Case
Samyang V-DSLR 8mm T3.8 UMC Fish-eye CS II Samyang V-DSLR 16mm T2.2 AS UMC Samyang V-DSLR 35mm T1.5 AS UMC Samyang S Case
Samyang V-DSLR 8mm T3.8 UMC Fish-eye CS II Samyang V-DSLR 16mm T2.2 AS UMC Samyang V-DSLR 35mm T1.5 AS UMC Samyang S Case
Samyang V-DSLR 8mm T3.8 UMC Fish-eye CS II Samyang V-DSLR 16mm T2.2 AS UMC Samyang V-DSLR 35mm T1.5 AS UMC Samyang S Case
Samyang V-DSLR 14mm T3.1 ED AS IF UMC Samyang V-DSLR 24mm T1.5 ED AS IF UMC Samyang V-DSLR 35mm T1.5 AS AS UMC Samyang V-DSLR 85mm T1.5 AS IF UMC Samyang 500mm F6.3 DX Mirror Samyang M Case
Samyang V-DSLR 14mm T3.1 ED AS IF UMC Samyang V-DSLR 24mm T1.5 ED AS IF UMC Samyang V-DSLR 35mm T1.5 AS AS UMC Samyang V-DSLR 85mm T1.5 AS IF UMC Samyang 500mm F6.3 DX Mirror Samyang M Case
Samyang V-DSLR 14mm T3.1 ED AS IF UMC Samyang V-DSLR 24mm T1.5 ED AS IF UMC Samyang V-DSLR 35mm T1.5 AS AS UMC Samyang V-DSLR 85mm T1.5 AS IF UMC Samyang 500mm F6.3 DX Mirror Samyang M Case
Samyang V-DSLR 14mm T3.1 ED AS IF UMC Samyang V-DSLR 24mm T1.5 ED AS IF UMC Samyang V-DSLR 35mm T1.5 AS AS UMC Samyang V-DSLR 85mm T1.5 AS IF UMC Samyang 500mm F6.3 DX Mirror Samyang M Case
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon M, Sony E, Fujifilm X, MTFDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 320g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon EF, Sony A, Four Thirds, NikonDimensions (for Canon M): 73.7 x 64,5 mm
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon EF, Sony A, Four Thirds, NikonDimensions (for Canon M): 73.7 x 64,5 mm
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon EF, Sony A, Four Thirds, NikonDimensions (for Canon M): 73.7 x 64,5 mmWeight (for Canon M): 318g
Parameter ValueFocal length: 300 mmAperture: 6.3Angle of view: 5,4°Filter size 25.5mm (REAR)Minimum focusing distance: 0.9 mFocus adjustment: manualOptical construction: 9 lens elements, 9 groups, 1 EDAvailable mounts: Canon EF, Sony A, Four Thirds, NikonDimensions (for Canon M): 73.7 x 64,5 mm
T mount
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Samyang teleconverter will double the focal length of your lens . The product is compatible only with T-mount lenses and is attached between the lens and the T2 adapter. Lens elements used in the teleconverter are made of the highest quality optical glass. They are additionally covered with anti-reflection coatings. The teleconverter gives the effect of
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Lenscap for Samyang 8mm 3.5
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High lens speed. But not only just high lens speed. Extremely high lens speed. In short: The worldwide highest speed lens for system cameras. The HandeVision IBELUX 40/0.85 with its lens speed of 1:0,85 is the worldwide highest speed lens for system cameras. For optimal exposure in any situation. Under any light conditions. Due to its standard focal length
High lens speed. But not only just high lens speed. Extremely high lens speed. In short: The worldwide highest speed lens for system cameras. The HandeVision IBELUX 40/0.85 with its lens speed of 1:0,85 is the worldwide highest speed lens for system cameras. For optimal exposure in any situation. Under any light conditions. Due to its standard focal length
High lens speed. But not only just high lens speed. Extremely high lens speed. In short: The worldwide highest speed lens for system cameras. The HandeVision IBELUX 40/0.85 with its lens speed of 1:0,85 is the worldwide highest speed lens for system cameras. For optimal exposure in any situation. Under any light conditions. Due to its standard focal length
Dédiée à une utilisation vidéo sur boîtiers hybrides APS-C ou Micro 4/3, l’optique 12mm T2.2 NCS CS est ultra compacte. Elle bénéficie du dernier traitement antireflets NCS pour une haute qualité optique. Deux couronnes dentées sur les bagues de mise au point et la bague de diaphragme permettent un contrôle manuel très précis du plan de netteté et de la
Focale 35mm dédiée à la production d'images vidéo réalisées via un hybride Sony (monture E) ou Panasonic (Micro 4/3) Grande ouverture T1.3 pour filmer en toute condition lumineuse et limiter la profondeur de champ. Le diaphragme fluide à 9 lamelles offre un superbe rendu des flous. Modèle Ciné du 35mm F1.2 avec bagues dentées de focus et ouverture pour
Dédiée à une utilisation vidéo sur capteur plein format, l’optique 85mm T1.5 AS IF UMC VDSLR II est équipée d’un diaphragme fluide continu. Son ouverture T1.5 est idéale quelle que soit la luminosité ambiante. Deux couronnes dentées sur les bagues de mise au point et la bague de diaphragme permettent un contrôle très précis du focus et de la profondeur de
La performance dans un téléobjectif à la fois léger, mobile et précis Le Tamron 100-400 mm f/4,5-6,3 Di VC USD (Modèle A035) est le telezoom agile par excellence. Léger et compact, grâce à son un fut en magnésium, c’est l’objectif le plus facile à transporter de sa catégorie* (parmi les 100-400 mm plein format, octobre 2017). Ses performances optiques ne
La performance dans un téléobjectif à la fois léger, mobile et précis Le Tamron 100-400 mm f/4,5-6,3 Di VC USD (Modèle A035) est le telezoom agile par excellence. Léger et compact, grâce à son un fut en magnésium, c’est l’objectif le plus facile à transporter de sa catégorie* (parmi les 100-400 mm plein format, octobre 2017). Ses performances optiques ne
Optical performance remains an essential criterion, and includes 1 FLD glass lens and 3 SLD glass lens, with optimized optical formula and minimal chromatic aberration. The most important thing for this kind of zoom is the image quality at the longest focal length, and the performance of it is brilliant. The distortion is also perfectly controlled at all
Optical performance remains an essential criterion, and includes 1 FLD glass lens and 3 SLD glass lens, with optimized optical formula and minimal chromatic aberration. The most important thing for this kind of zoom is the image quality at the longest focal length, and the performance of it is brilliant. The distortion is also perfectly controlled at all
Optical performance remains an essential criterion, and includes 1 FLD glass lens and 3 SLD glass lens, with optimized optical formula and minimal chromatic aberration. The most important thing for this kind of zoom is the image quality at the longest focal length, and the performance of it is brilliant. The distortion is also perfectly controlled at all
A 500mm that pushes the boundaries of animal and sports photographyAn objective that combines top-level performance and outstanding features for the most challenging shots. Outstanding image quality Exemplary construction Innovative features Eligible for change of mount
A 500mm that pushes the boundaries of animal and sports photographyAn objective that combines top-level performance and outstanding features for the most challenging shots. Outstanding image quality Exemplary construction Innovative features Eligible for change of mount
A 500mm that pushes the boundaries of animal and sports photographyAn objective that combines top-level performance and outstanding features for the most challenging shots. Outstanding image quality Exemplary construction Innovative features Eligible for change of mount
A compact lens, capable of outstanding image qualityIn designing this goal, SIGMA has sought to push compactness and image quality to their limit. Four SLD (Special Low Dispersion) glass elements and an elaborate optical formula have reduced optical aberrations to a minimum. By taking special care to minimize transverse chromatic aberration, which can not be
A compact lens, capable of outstanding image qualityIn designing this goal, SIGMA has sought to push compactness and image quality to their limit. Four SLD (Special Low Dispersion) glass elements and an elaborate optical formula have reduced optical aberrations to a minimum. By taking special care to minimize transverse chromatic aberration, which can not be
A compact lens, capable of outstanding image qualityIn designing this goal, SIGMA has sought to push compactness and image quality to their limit. Four SLD (Special Low Dispersion) glass elements and an elaborate optical formula have reduced optical aberrations to a minimum. By taking special care to minimize transverse chromatic aberration, which can not be
The first and long-awaited macro objective of the Art lineIn recent years, standard macro focus lenses have tended to use an internal focusing system in order to maximize the speed of autofocus. Conversely, the new SIGMA 70mm F2.8 DG MACRO | Art is designed to prioritize optical performance, meeting the image quality requirements that define the Art line.
The first and long-awaited macro objective of the Art lineIn recent years, standard macro focus lenses have tended to use an internal focusing system in order to maximize the speed of autofocus. Conversely, the new SIGMA 70mm F2.8 DG MACRO | Art is designed to prioritize optical performance, meeting the image quality requirements that define the Art line.
A stabilized macro lens for your digital reflexEquipped with SIGMA OS optical stabilization, this macro telephoto lens is capable of delivering images with a reproduction ratio of 1: 1 and amazing freehand sharpness. Designed for your full-frame digital SLR Macro lens compatible with APS-C boxes Constant opening of F2.8 Optical quality
A stabilized macro lens for your digital reflexEquipped with SIGMA OS optical stabilization, this macro telephoto lens is capable of delivering images with a reproduction ratio of 1: 1 and amazing freehand sharpness. Designed for your full-frame digital SLR Macro lens compatible with APS-C boxes Constant opening of F2.8 Optical quality
A stabilized macro lens for your digital reflexEquipped with SIGMA OS optical stabilization, this macro telephoto lens is capable of delivering images with a reproduction ratio of 1: 1 and amazing freehand sharpness. Designed for your full-frame digital SLR Macro lens compatible with APS-C boxes Constant opening of F2.8 Optical quality
Ultra-wide, ultra-high-quality zoom for your full-frame reflexThe ultimate in ultra wide-angle 12mm performance, developed by the pioneer of ultra-wide angle zoom, for the most demanding full-frame sensors. A wide-angle zoom of the uncompromising Art range for demanding photographers. Superlative image quality No distortion Construction "Made
Ultra-wide, ultra-high-quality zoom for your full-frame reflexThe ultimate in ultra wide-angle 12mm performance, developed by the pioneer of ultra-wide angle zoom, for the most demanding full-frame sensors. A wide-angle zoom of the uncompromising Art range for demanding photographers. Superlative image quality No distortion Construction "Made
Ultra-wide, ultra-high-quality zoom for your full-frame reflexThe ultimate in ultra wide-angle 12mm performance, developed by the pioneer of ultra-wide angle zoom, for the most demanding full-frame sensors. A wide-angle zoom of the uncompromising Art range for demanding photographers. Superlative image quality No distortion Construction "Made
Launched in 2012, the SIGMA 35mm F1.4 DG HSM | Art was the first goal of the Art line. Since then, SIGMA has developed a wide range of lenses in this product line, and the SIGMA 14mm F1.8 DG HSM | Art is the seventh fixed lens of the line for Full Format (24x36). With this new reinforcement, the Art line continues to establish the new standard of fixed
Launched in 2012, the SIGMA 35mm F1.4 DG HSM | Art was the first goal of the Art line. Since then, SIGMA has developed a wide range of lenses in this product line, and the SIGMA 14mm F1.8 DG HSM | Art is the seventh fixed lens of the line for Full Format (24x36). With this new reinforcement, the Art line continues to establish the new standard of fixed
Launched in 2012, the SIGMA 35mm F1.4 DG HSM | Art was the first goal of the Art line. Since then, SIGMA has developed a wide range of lenses in this product line, and the SIGMA 14mm F1.8 DG HSM | Art is the seventh fixed lens of the line for Full Format (24x36). With this new reinforcement, the Art line continues to establish the new standard of fixed
A wide 24mm bright angle in the line ArtThis lens is the best for a wide variety of subjects ranging from urban photography to grandiose landscapes and starry skies, which require maximum sharpness, and from interior photography to intricate scenes calling for great bokeh smoothness. . Discover the amazing optical performance of this new "F1.4" that enriches